
Hand painted swatch of the acorn and leaf pattern.
I’ve been waiting for just the perfect project. I think that it will be perfect for the GreenMan Shawl. Don’t you?
Happy Knitting
Lynette
Of Larks and Linnets and Flying Fingers

Hand painted swatch of the acorn and leaf pattern.
I’ve been waiting for just the perfect project. I think that it will be perfect for the GreenMan Shawl. Don’t you?
Happy Knitting
Lynette

Why a Dress?
Why not?
Is the glib answer. But for me it is a statement about what I am starting to discover about myself and my relationship with the world right now. Now that was the weighty answer. Reality is always somewhere in the middle.
Over the years I have seen several dresses knit by customers, often with my help interpreting instructions and working out gauge issues. These dresses often looked and felt heavy to me. On-line I have seen the most stunning knitted wedding dresses. Made with love from lace stitches and many hours of knitting.
Many knitted dresses are simply a long sweater worn as a dress with leggings. The concept of knitting a dress like this for myself was kind of ludicrous. I am short, quite rounded and I have always thought that a knitted dress, especially a sweater styled dress usually clings, making it look its best on on tall willowy types. I believed that I could never put a sweater dress on and not look foolish.
I am usually an optimist at heart, but not on this topic! I needed to rethink how I looked at my clothing choices.
I had already started to rethink my wardrobe in light of todays challenges with sustainability, examining the concept of slow clothes and the making and mending movements. Then I looked at my wardrobe for what I really wore the most often and what I had been putting my money into. I saw a huge difference between my Summer and Winter wardrobes.
In the summer I wear dresses. Longer, fuller dresses with cotton slips and lots of movement, quite often with vintage details. Several of which I had recently made for myself. I used to sew, in the past, and i am now refreshing my skills.
My winter wardrobe suffered by comparison. Most of my work pants were old except for the two pairs I had made myself. They don’t fit as well as I would like, but they are easy to wear and are made of wool or wool blend fabrics. My sweater and shawl collection really was what my winter wardrobe was all about. I didn’t wear dresses because they were never warm enough. I hate to be cold.
So why not knit a wool dress?
Boredom! The thought of all that plain knitting would drive me crazy. There is a reason why most of the things I knit are colourful, or textured with cables and patterns, or covered in lace patterns, or all three! I am often defeated by large swathes of stockinette fabric.
It only dawned on me recently that my dress didn’t need to be plain and it didn’t need to be heavy and I could wear it everyday in different ways. Sort of like the 100 day merino dress. Though I don’t think I could wear it 100 days in a row.
So I took some time to examine my summer dresses . What was working and why it was working. Every dress was shaped to the waist or an A-line shape. I wanted a shaped dress, not tight at the waist, but shaped and comfortable. I may look at A-line for my next dress.

How to create the shape? I thought about reversing a pi style shawl shaping for the skirt, but I think that might have been too full. I most definitely didn’t want to make a tube and then gather it to the waist, even with a lace weight yarn that is too much fabric sitting at the waistline.
I have knit myself a couple of sweaters that employed shaping around panels and thought that should also work for a skirt. Once decided, it was the matter of researching patterns and panel patterns in particular to create the way I wanted to go.
I am making a couple of adjustments. After 1 more 10-round repeat I moving my needle size down to 3.75mm from the 4.0mm. I have decided to combine physical shaping of the skirt with decreasing panels and the tightening of the gauge. This will make a smoother shape – I think. Everything is a bit of an adventure through this. I am lucky to have knit as much as I have and tried as many types of knitting as I have, it does allow me to make decisions based on experiences in the past. They may not all translate to this project, but they do help form a starting point.
Progress Report
I have knit up to the end of the chart and started my next 10-round repeat. After this repeat I will be changing my needle size. It is looking like each 10 round repeat adds approx 1.5 inches to the skirt when dry blocked. It may add a little more when wet blocked.



I am going to start designing the chart for the shaping panels this week (I have this week off from work and so have extra time). I am thinking that I will start by shaping out 1 panel out of every 3. And shape each of those panels over 40 rounds. I am hoping that this will be a slow enough to keep the shape from “belling out” and just be a smooth progressive line.
Belling out – the decreases are too quick and the dress suddenly looks like it has a line across the skirt where it has been gathered up. If it does bell – the knitting will need to be ripped back and the decreasing will have to be slowed down.
I have had a couple of people ask me why I choose Einband for my dress. They think of it as itchy. I chose it because I have used Einband before, for the Spring into Summer KAL, The Garden Gate Shawl. I was very pleased with the results from that project.




I had knit a shawl and then hand painted it with dyes. Once blocked the I found that the yarn holds the shape well. Something that I felt was important for this project. It also takes dyes beautifully and since I couldn’t decide on a colour before hand I am hoping to be able to decide after the knitting is complete! Maybe I will even paint the fabric with dyes and not immerse dye it. We shall see.
Happy Knitting
Lynette

What do knitters do when they want to play with fibre but really don’t feel like knitting? I am primarily a knitter, but I can sew, but that isn’t quite the same is it? And I have dabbled at hand-dying yarns and hand-painting my knitting with dyes, two very different approaches to adding dye to your knitting. I love them both.

Hand-dying yarns is much faster to do, but takes longer to get to the finished product. Hand-painting your knitting with dyes gets you a finished product quite quickly, as you have already done the knitting! However painting your knitting takes longer to do than painting your yarn. For a quick fix – I like to paint my yarn!
Two years ago I started to play at dying with Darlene – my co-worker and friend. She is an old hand at it and basically held my hand as I learned the in’s and outs. We worked with Wilton Cake Dyes – non-toxic – bright colours – inexpensive to play with and a hole lot of fun! Take a minute and google dyeing with Wilton Food Dyes – there are lots of great how-to instructions!
We painted a sock blank and then we painted some hanks of yarn. I had some fine alpaca laceweight and then some fingering weight non-superwash merino, a good basic worsted wool and some mohair/silk blend yarn. Darlene had a similar collection.
We had a ball!







Why am I thinking about this now? Well, now that covid restrictions have been loosened, we are thinking of doing it again! Maybe with more traditional acid dyes this time! I will have to start collecting some undyed yarns to play with – stash diving here I come!
I have already made a bit of a start – I do have a fairly extensive collection of undyed yarns – always thinking that I would do more knitting and then painting – there is never enough time in the year or all of my ideas! What do you think?


Last time the alpaca went from undyed to Wow! I think that this time I will go for a more subdued sultry kind of vibe, reds with black and gold highlights maybe – or maybe not – dyeing is not a precise craft when you are learning – but we must have goals. I will need to wind off a couple of 100 gr hanks first though!


I have about 1500 yds of the brushed cashmere and silk, I will need to wind those as well! I am really curious to see how this takes the dyes. Cashmere is usually a little subdued when dyed, but silk takes the dye vividly and glows. The combination is intriguing. I know the Mohair and silk, Maidenhair from Handmaiden will be gorgeous. I have painted this one in knitting many times! But I have never dyed it in the skein before. A good start don’t you think? What else should I try? Any suggestions?
Well back to my knitting and it is also time for tea. I am going to try a new (to me) tea, It is Whittard # 12, English Rose flavoured black tea. I bought it this morning and when I opened the cannister! Isn’t it beautiful? I hope it tastes as good as it looks! The aroma is that of old fashioned blooming Summer Roses!


Be well and knit Happy!
Lynette
PS – below is the hand-dyed version of the Celebration Shawl
